Music

June 05, 2009

Montreal Mutek 09 Journal

So far Canada is two for two. I love Montreal and I love Vancouver. I would happily rotate them in yearly. What drew me to Montreal was the Mutek electronic music festival and a good opportunity to get away with my girlfriend. Mutek really floored me. After coming off of 4 years of SXSW music I was shocked to find no lines, fantastic sound systems, and seriously good performances. As for the Montreal itself... I have gotten into the habit of exploring new cities through their shops and stores. Its a consumer/materialistic way to go about things, but Ive found (unsurprisingly) that interesting and unique shops are a great gateway to discovering unique culture, community and art anywhere where you don't have roots or contacts. My tactic involves cross-referencing my favorite brand's website's "where to buy" sections with the city I am visiting. I plot the hits out on a google map and start walking around and talking to people. Sometimes it helps to jump start the process with a visit to superfuture.com. Heres the day by day of the trip...

Wed - Day 1

Arrived on a late-ish flight and got dropped at our hotel, Place D'armes. This hotel turned out to be fantastic for its moderate price. After getting used to SoHo rates and rooms for work trips I dropped a solid "SAY WHAAAT!?" when I walked in the room for the first time. Place D'armes is located in old Montreal. Because of our late arrival we hustled to un-pack and headed straight off to the first night of Mutek's "Nocturnes." The venue was a place called SAT and man was it cool. It was a large warehouse space split up between a main stage room and a loungey area peppered with installations. Top that off with nice sound, unique lighting plus huge projections everywhere and you've got a solid venue. Heres a shot of my friend Bryan and I messing around with an installation that looked like it was sponsored by Target. Fun..

Spie Vs. Spie

First up on the main stage was Zombie Zombie who I had never heard before. They where a live two piece electronic band with one of the dudes on a drum set who also specialized in crazy yelping. Definitely channeling the frontman of suicide. This is easy to ruin, but he pulled it off. The music was something like jammy psychadelic electro with a serious injection of italo vibes and sensibilities. Hard to explain. Next up was the headliner for the night Palooski. He played a fantastic selection of disco-ish crowd pleasing edits and tracks that had us dancing our asses off. Somewhat of a welcome anomaly amongst the minimal and experiment music that would make up the majority of the rest of the festival. Check out the dirty edits compilations that Palooski is involved in if you are curious. I wish we had more DJs like him in SF.

Thurs - Day 2

Woke up and made the classic tourist mistake of letting our stomaches guide us to the nearest Americanized brunch, which of course was a total failure. With fueling up out of the way we started to explore a bit of old town. Beautiful churches and cobbled streets. A bit touristy but still a nice walk. On the boutique front we hit one of the cities gems, Reborn. As my friend Bryan said, its one of those places you walk into and know the chances of buying something are slim, but damn it was cool. The shop is very narrow with the left wall housing glass covered wall cabinates containing some really incredible jewely and art pieces. When I visited the contents where primarily matte black. The most eye catching pieces were by Natalia Brilli. The right hand wall of the shop had menswear by people like Surface to Air, Acne, and Nom De Guerre... aka 100 DOLLAR T-SHIRTS YALL! I didn't have a chance to look at the womens stuff but it looked equally as interesting. After Old Montreal we hoofed it downtown to the main strip, Saint Catherine. The usual H&M, Aldo, Footlocker etc etc, made it hard to find anything interesting. I did have one shop on my list to check out on Saint Catherine called Off The Hook. Could you guess it was a streetwear shop? Not my style usually but I still like to check out the shops. After looking around for a while I was surpised to find two things... One, there were a lot of kids in there well over 10 years younger than me (this contrasted with the SUPER crass dirty south and raunchy graphic Tees made me chuckle). Two, amongst a lot of crap there where some REALLy nice items. I snapped up a some Sixpack shirts and the Cadence X Lifetime collaboration shirt. I've been wanting something from impossible to find cycling clothing label, Cadence, for a while now. After a quick dinner at the hotel bar (quite good)

I rushed everyone off to the Nocturne 2 venue, Metropolis, for a opening performance by Appleblim. I did NOT want to miss this one. Touted as the bridge between the London dubstep and Berlin techno scenes I was expecting a set with a lot of blending of 4x4 beats and dubstep rhythms. Appleblim actually got the 4x4 techno-y stuff out of the way in the beginning (Fine with me!) and then proceeded to wreck-shop with some SERIOUS bass music. My favorite dj set of the festival, which is probably blasphemy to hardcore minimal techno heads, but I like what I like! Half the time the crowd was cheering for the sound-system too. The rig was absolutely devastating in terms of low end and was about as clean and crisp as I have heard. I sat dead center on the balcony and soaked it all in. Side note: I really need to make a mix of Appleblim style dubstep/bass. Def some of the most interesting electronic music being made right now, imho. On the to-do list. Next up was Deadbeat who was equally as awesome. Ive been a big Deadbeat fan for a while but have never seen him. He catered his music more towards the floor as expected, switching it up between housey stuff and his dub infused beats. Deadbeat also gets a special mention for dancing like a maniac behind his gear. He's got a mean two step. The night finished up with the headliners Moderat.The combination of the two guys from Modeselektor and their bud Apparat.

Moderat Mutek 09

Was not prepared for this show. It was an incredibly polished performance and had a stadium level vibe rare for brooding electronic music. The music reinforced by their incredible 3 screen wide projected visuals. A handful of differently styled pieces ranging from looped film to generative 3D stuff were projected for each song. The performance ended with an encore cementing the stadium vibes. (Side note: One of the Modeselektor boys was sporting an all caps "AMEN" shirt for those who know). Unfortunately had to forgo Mala, the final performer of the night, as we were completely sacked from the day.

Friday - Day 3

Friday was a mellow day. We were tipped off to the Mont Royal neighborhood as an area we would like a lot. With the Metro mastered we strolled along Saint Laurent and Mont-Royal Blvd checking out the various shops and cafes. The highlights were Old Gold (great little clothign shop) and a wicked vintage mens store next door. I wish I could remember the name, something with California in it. It was flannel heaven. We walked back down Mont Royal towards downtown not realizing that some of the best Mont Royal had to offer was farther up. That evening a friend with some Montreal experience took us to a classic french bistro called L'Express. We ended up eating enough food and drinking enough wine to put us out of commission early. A little break from the festival wasn't the end of the world.

Sat - Day 4

The fourth day began with one of the festival highlights... ATOM. The installation/performce piece by electronic music icon Robert Henke (of Monolake fame) and the interactive artist Christopher Baude. The piece was performed at the Place De Arts. We were lead into a very dark auditorium barely lit by red light. About 100 people where sitting on the floor surrounding a 6x6 grid of large white balloons at floor level. The balloons had light bulbs inside them and where attached to retractible strings. As the music piece was performed the the strings would let out slack and retract creating various patterns and motions. In conjunction with moving vertically the balloons also glowed blinked and flickered in reaction to various elements of music piece. What Henke and Baude were able to accomplish with a 6x6 grid of balloons and the two parameters of brightness and height was incredibly impressive.

After the ATOM performance I hit up a skateshop in the near by chinatown neighborhood called Temple Skate Supply.

IMG_0764

I snatched up a complete Temple Zinger they had dropped earlier that month. The rain during the trip put the kabosh on rolling around the city, but the little guy has already gotten some use back in SF. Its been stickered up to boot with MASH and Benny Gold decals. Old Temple signage in Chinatown...

Temple Zinger

After the skate shop I popped by the first of the Mutek picnics. The weather was shit, but that didnt keep the rave massive from coming out. I got about an hour of The Mole in and then split. Finished up the night with some Tapas at a place called Pullmans. Delicious food, very light and thoughtful dishes. Just don't do what we did and order everything on the menu and end up dehabilitatingly stuffed for the second night in a row and pass out early.

Sun - Day 5

Charged up by a good nights sleep I got out the door before the girlfriend to go check off another few skateshops. The first on the list was Underworld. As I made my way down Saint Catherine, away from all the hurdy-gurdy, I realized that I had done this before... about 10 years ago. Ahh, the paths we beat. The place was huge, like a wallmart of skating. Def worth checking out. Interesting to see all the big skate brands full lineup of gear all in one place. The merchandising is well done to boot. Sleuthing out the next spot, Empire, was a bust as apparently they moved farther away than I was willing to walk. I hustled back to the hotel and hopped on the Metro with my girlfriend heading back to Mont Royal to find some of the spots we missed. This was crucial. We walked through some residential areas that had vibes I could see myself living amongst.

Mont Royal Montreal

Very reminiscent of parts of portland, Boston, SF and Brooklyn. We hit two shops that are must visits. The first was Unicorn where B got a ridiculously cute pair of high-tops. The gal working their, was incredibly helpful and chatted us up about all the spots we had gone to our should go to. She sent us up the street to another boutique called Les étoffe, where her boyfriend was working. This place was really impressive as well. A nice selection of unique labels and meticulously hand picked vintage pieces. The gentlemen working here sent us across the neighborhood to the local fixie shop aptly named Brakeless. Brakeless was a nice mixture of frames and components as well as clothing and shoes. I grabbed a lot of stuff here including a pair of "port" Vans Caballeros and a Fuct. T-shirt. I hadnt seen a fuct Tshirt in ages, let alone one I liked. I remember going to my local skateshop in Northampton MA around 6th grade to get a snowboard with my mother and having to explain why there was a snowboard with a naked lady on it and a t-shirt with "FUCT." in huge lettering in the window as we walked in. Ah the good old days. My mom rules. Anyways, Sylvester, the proprietor of Brakeless was a really cool/nice guy. Probably my favorite shop in Montreal. Im honestly bummed I will only make it there once a year.

After getting caught in some nasty rain/wind we made our way back to the hotel. While the weather was the absolute worst, I ended up heading the call of some friends txts and headed back to the park for Mutek Picnic part two. Zip and Ricardo Villalobos where playing a 7 hour set that I had to catch at least a tiny bit of. After 20 minutes or so of brocking out with my rain hood up the sun came out out for literally one song.

Mutek09 Picnic Day 1

For those who had been their for hours you could tell it was like the second coming. I endured the next wave of rain for as long as I could and then headed back to the hotel. We grabbed some SOLID burgers and Poutine at a joint called Merchant of Beef (best name ever) in the old town and then headed to the club to catch Akufen's first performance and new material in years. I wasn't really feeling it. But I don't want to be a negative nancy so I am going to chalk it up to being on my feet for 5 days and needing to crash. Ill wait for the album to elaborate on Akufens new bits.

Im definitely smitten with Mutek and would love to visit montreal once a year. The lack of lines and crowds makes it feel like much less work than say SXSW or Coachella. Side note: Air Canada has some game. Decent food (for airlines) and power in every seat. Chalk one up for Canada.

My recommended Montreal shops on Yelp.

April 16, 2009

14tracks.com New Bristol Edition

14tracks

Last week two nights dissipated into the bass/dubstep recommended releases section of Boomkat Records. The genre/sound had been on my periphery for the past few years but I finally fell down the rabbit hole when I started acquiring singles last week. I tracked back about 18months and listened to everything. The section is very nicely curated. Found piles of tunes I love. Seems the Boomkat camp has a new vehicle for their curatorial awesomeness in the form of 14tracks.com. The idea is take any musical thread, be it a genre, a time period or a theme and put together a playlist. Simple concept, but the magic is of course in their choice of the musical threads, and the subsequent selections of tunes. They have a handful of really interesting playlists up now, and just posted a new one called "The Bristol New School." The Bristol list represents what I feel is some of the best of dubstep/bass music after my short immersion last week. Im sure my pals Selector Moldy and Clever would have a thing or two to say about that though... ;)

"Bristol already left its mark on UK Bass culture back in the late 80's and early 90's via the Wild Bunch, Massive Attack, Portishead and Tricky, but over the last few years a new wave of producers has once again placed the city right at the innovative heart of the underground. This week's selection focuses on some of these characters..."

Must give shout to Rob Rowe for facilitating this discovery lest he publicly humiliate me on Facebook. Related to this post - I just caught Kode9 here in SF last saturday. Quite an interesting set. This sound definitely has a different kind of impact in a club setting with serious low end representation. I was surprised at how rave-ed out the set was. Not in a genre or production sense... more so the vibes. Definitely different than most of the stuff I hear out.

Bass mix coming soon...

April 13, 2009

Mix014 Joakim DFA Chicken Lips Atrak In Flagranti The Chap

Mix0014

A while back I had a little website with a goofy name (Ravegression.com). I had grand plans of turning it into some sort of DJmix blog regularly updated with material from my myself, my friends and selectors I admired. Obviously that has not been happening. So I decided to shut the thing down. I'm consolidating. It feels good. Less pressure... I will definitely be getting back to making mixes and the iTunes podcast will still work. All the old mixes have been moved over here (http://www.justinbaum.com/djmixes). Still getting my bearings and knocking the dust off... But I have more than enough material to keep me busy for months. Lots of cool records coming out. Psyched to get back to it.

Download Mix / Subscribe in iTunes

Track name - Artist - Label
  1. War (JD Twitch Re-Edit) - Zounds - RVNG Intl - 2008
  2. Oh Missy (Whatever/Whatever remix) - DFA - 2009
  3. Start Something (40 Thieves remix) - Tirk - 2009
  4. Ragazza (Runaway remix) - Jackpot - Permanent Vacation - 2009
  5. Hypercommunication (Joakim's Cartoon Muscles Remix) - Poni Hoax - Tigersushi - 2008
  6. Summer Song - Yacht - DFA - 2008
  7. Paris Is Burning (Chicken Lips Zeefungk Beatdown Remix) - Ladyhawke - Modular - 2008
  8. Kilometer (A-Trak Remix) - Sebastien Tellier - Record Makers - 2009
  9. LookLookLook (In Flagranti Remix) - Golden Bug - Gomma - 2008
  10. Dirty Capsules - Vincent Markowski - DC Recordings - 2008
  11. Ethnic Instrument (Joakim Mix) - The Chap - Ghostly International - 2008

Mixed by Justin Baum

April 06, 2009

Soundamous the best new music feed ever

Soundamus

This is the coolest thing I have seen in a long time. Amazing little app. Punch in your last.fm profile or other music profile and Soundamous spits out an RSS feed of new releases you might be interested in. The results for my last.fm profile are soo personal and accurate it blew my mind. Thanks to Philip Sherburne for the tip.

March 09, 2009

Feb08 Track Allowance DFA DC Recordings Joakim Holy Ghost! and In Flagranti

Hey... so I am going to post my favorite DJ tracks every month with samples courtesy of Junodownloads. If I'm not making mixes I should at least be sharing the tracks Im feeling, right? Facebook readers click through to see the flash audio player.

  • Morten Sorenson - "Start Something (40 Thieves remix)" - Solid throwback jam with a smattering of catchiness and some vocal samples you might find on a Morgan Geist bit. Not exactly a big stand out track, but functional party starter or transition tune.
  • IN FLAGRANTI - "I'm Sorry, I'm Terribly Sensitive" - This guy must have had a few bad nights in the red light district. The vocals are what I would expect to hear in a tranny bar if I was to accidentally injest hoarse tranquilizers. The pouty protagonist laments the displeasures of love and romance over a typical In Flagranti dark-disco bit. Very Tenderloin.
  • WOOLFY - "Oh Missy (Whatever/Whatever remix)" - This song is just rad. I love the hook. I almost played it out already, been stuck on repeat. Have a listen. DFA doing no wrong lately.
  • MARKOWSKI, Vincent - "Dirty Capsules" - More SERIOUS drums and bass at house/disco temp that I have come to rely on from DC Recordings. You could mosh to this or do the hipster hair flip. You choose!
  • Scotty COATS & WES THE MES - "Double Fisted" - Actually, this just about falls in the same category as the above DC recordings track. Major bass line. The distinguishing factor is that the whole track sounds like my head got dunked in water and now Im hopping one leg trying to empty my ear. Some how this is a good thing? I dunno, have a listen. Go DFA!
  • THEY CAME FROM THE STARS I SAW THEM - "Moon Song (Holy Ghost remix)" - I heard this first on the EPIC Aeroplane mix for Resident Advisor. Space flight by way of restored vintage american cars with a disco ball for a moon is the best way to describe it. But not in a Kavinsky Coachella way. In a "I never go out, but have a lot of italo stuff on vinyl and don't like MP3s."
  • Matthew DEAR - "Pom Pom (The Juan Maclean Acid Overhaul dub mix)" - A preview of the absolute awesomeness of Mr Maclean's new album. Driving acid licked track with the bombastic deep voiced vocals he is known for. Proclaim it Juan.
  • KARMA - "Beach Towel (I:Cube Cosmix Marathon remix)" - MASSIVE slow burner. Starts out as what seems to be a typical Balearic fair but then in comes the i:cube TECH and things get REALLY interesting. This is a beautiful winding morphing lush tune.
  • ROMAN IV - "The Apple Tree & Me" - Ever wonder what would happen if you fused together a tech-house master and some throwback drum&bass vibes ah-la Dilon&Loxy / Cylon records? You would get this. Rinse-able.
  • Joakim & The Disco - "Love & Romance & A Special Person" - What planet does Joakim live on? Seriously... Something just isn't right. In a good way. And this track is LACED with it. Alice in wonderland love story.

February 08, 2009

Beatport 3.0 Review

Beatport 3.0 Review

Beatport.com is one of the best places to purchase dance music on the web and have recently relaunched with the new "3.0 version. I have seen some coverage of it here and there, but nothing that articulated the update in detail. Here are the changes that jumped out at me.

Look&Feel - The site generally looks and feels the same when you first poke around. This speaks to the fact that a lot of the work here is subtle refinements to what was already a very successful site. The brand remains intact with the re-launch. Some minor tweaks and improvements to button styles, typography and iconography give it a slightly updated appearance. I would like to have seen a deeper re-working of the visual design as it is getting a bit stale.

Improved Search - Some big wins here for the customers. No more selecting the content-type before searching. In version 2.0 we had to specify what we were looking for (track, artist, label etc) before hitting the search button. Beatport has made search much more robust and useful by allowing people to submit a search without selecting a content-type. In addition the search results can now be filtered by artist, releases, tracks, labels, dj mixes, and charts. There is also an "All" filter that displays an overview of search results across multiple content types.

Beatport 3.0 Search Results

New Content Filters - When looking at labels, artists and genres on Beatport 3.0 the left column of the site now contains "filters." These filters allow you to refine the releases and tracks you are looking at by artist, genre, label, content type and release date. The filters are contextual, meaning they change based on whether you are looking at a genre, artist or label. When combined with the new search, filters make finding what you want easy.

Beatport 3.0 Filters

The Hold Bin - When looking at your shopping cart, aka "crate" you have the ability to discard releases and tracks to the hold bin. This is a nice touch. Its like new release day back at the local record shop when you ran out of cash and had to put some things aside for the next week. Im going to be using the hold bin as a maybe pile. I buy more tracks than I know what to do with, so any features that help me be more choosey is welcome.

Beatport 3.0 Hold Bin

The New Player - The new player now has a playlist attached to it that you can add releases and tracks to as you browse the site. The integrated persistent player was already a core feature and differentiator for Beatport, further improvements only solidify this. Unfortunately you cannot add your playlist to your crate. Each track in the playlist must be added to the cart individually.

Beatport 3.0 Player

Personalization - Beatport has evolved their personalization feature called My Beatport in 3.0. For Digital download DJ sites personalization is going to become a top factor in differentiation, customer loyalty and overall site experience. The My Beatport feature allows people to add labels and artist as favorites and then easily identify which have updated with new releases. Two major improvements where made to My Beatport and its user interface...

  • The My Beatport module now has a history. You can view a list of updated artists and labels on a week by week basis. Moving back in the history shows only the artists and labels that updated on the selected week. This is helpful when you have to catch up after a long hiatus. The release week filter carries over to artists and label pages. This is a fantastic touch and echos the weekly habit of going to your local record store on new release day. Unfortunately you still can't see a list of all the releases from My Beatport on one page in chronological order. Maybe I am missing something? I would love an RSS feed of that list as well.
  • My Beatport can now be "un-docked" from the bottom left corner of the site and "re-docked" to the left or right hand side of the site for much more vertical space. This is accomplished by dragging and dropping the module. A slick touch. I love giving my long list of labels and artist more breathing room. My Beatport does not currently remember your docking preference. Hopefully they will fix this.
  • Beatport 3.0 My Beatport

    Search Engine Optimization - Here is one that will be good for business. Beatport has taken advantage of Flashes new ability to play nicely with search engines. If I search for any label or artist on google and append Beatport to the search, the first result is generally for Beatport content. I don't know the history of Beatport's SEO work or if it coincided with the release of 3.0. They may have been showing up in Google searches for a while now.

    Direct links - It looks as though all pages on Beatport are now linkable using a persistent button above the main content area of the site. The most effective way to encourage people to spread your content is by giving each content item a unique URL. For customers, you can finally link your friends to tunes on Beatport.

    RSS Feeds - For the segment of Beatport customers that use an RSS reader this is awesome. For Beatport it means I will be coming back when I see a new track in my feed reader. I live in GoogleReader, so RSS is something I have been patiently waiting for. Label RSS feeds help me stay up to date on whats coming out without actually going to the site. Unfortunately it is not implemented for every label (no DFA RSS, argh!). Hopefully this will change over time.

    Beatport has created an application that delivers a ton of awesome content in a very unique experience, but that content is not delivered as HTML pages. Given the recent success stories of content focused sites like youtube, flickr, last.fm, and others this difference stands out a bit. Im not a big fan of Flash, nor am a big hater of Flash. It definitely has its place. What Beatport has done with their 3.0 release is show that they want to play both sides of the field. Beatport wants to be a best in class rich internet application, but they also want to reap the benefits of the traditional page based web. Simple things like spreadability (unique urls for content) and findability (showing up in google search results) can make or break you on the web. Linking to Beatport content from outside the site creates some dissonance in the experience. Stairing at that loading bar over and over again is a constant reminder that your entering an application and not a web page. Compare for yourself with the links bellow, you may feel that I am splitting hairs, or you may feel that you prefer one over the other.

    In Frlagranti - LookLookLook (Beatport)

    In Frlagranti - LookLookLook (Juno Downloads)

    Big loads up front, where the user has nothing to do but stair at an animation, is something that need to go away on the web. This is no easy feat, and no failing of Beatport's. It is a bigger technology question the web has to deal with. Stepping back into Beatports side of the ring, with that big load upfront comes a lot of nice interface nuances and an experience that probably accounts for a certain percentage of Beatport's success story. Beatport was successful before Google could see into their soul, and before all their content was linkable. Hopefully this proves to be true as other awesome stores like Juno, Bleep and Boomkat continue to improve their HTML based sites. While not a re-invention of the space, the new version of Beatport deserves some accolades. It is definitely very different than the competition and I hope they continue to focus on evolving their personalization features.

    Side note: Beatport now has a few people on Get Satisfaction, the "people powered customer service site." Its a great alternative channel to talk about companies and their products.

January 05, 2009

HypeMachine 2008 Zeitgeist

Some of you know hypem (hypemachine) as the badass mp3-blog-indexing site or just a cool place to listen to tracks. Its definitely one of the simplest and fastest ways to discover new music that is a bit off the beaten path. Hypem has just started to post their year in review "zeitgeist" where they list out the top artists, albums and tracks of the year. Most interesting to me is top tracks list. It is calculated by tallying the amount of "favorites" indexed songs received on Hypem on a per month basis. The result is a month by month chronology of hot tracks from 2008. A lovely little calendar of the music blogosphere if you will. Its cool to see how remix focused the top music on Hypem's list is. As MP3 blogging becomes more widely adopted it will be interesting to see how the zeitgeist changes year to year. Will it become more mainstream and predictable or will it continue to be the place for mashups, edits and unofficial remixes?

January 04, 2009

What do I play next?

I've been a bedroom DJ since 96, sporadically making appearances at clubs, parties and on the radio over the years. Its the hobby that won't go away, and the one I wish I had more time for. I've written a bit about digital DJing before... the following is a feature request, a shout out to serato, torq, traktor etc. The first one to nail this feature gets my business :) Because hell, right now I don't really know who to patron and that gear is $$$.

Putting the user centered interaction design hat on for a second here - All the prep work I do with my DJing itunes library, BPM smartlists etc is an effort to aid me in one activity...

Selecting - The act of choosing a song.

This is the fundamental thing every DJ does regardless of style and skill. So many things go into selecting a song. Reading the crowd, BPM, harmony, vibe etc etc. As DJs become more experienced they develop huge repository of information in there brain about the songs in their library. Its generally referred to as "knowing your records." Id say you can split the skill of knowing your records into two categories. 

1) Details about a song - When does the bass drop, how long is the track, what are the best cue points, how is it best EQ'd, when do I mix out, etc?

2) Relational information - Simply put, what do I mix this song with?

The former is already being tackled by all the digital djing solutions out there through a myriad of features. But the latter I think is a gold mine for innovation. Let me pose the question again... what do I play next? Software is not always going to be able to answer this question, but there are two related features that I think could help out, and play on what DJs already do intuitively with their brains and the information they soak up while playing.

When your practicing as a DJ a typical goal is to figure out what goes with what. Some people are more comfortable with happy accidents in a live situation, some people like to catalogue a mental database of perfect mixes. The more you practice and play out the bigger that list of tight mixes gets. What if there was some way of documenting these perfect mixes and discoveries? The simplest implementation would be creating a list of tracks that go with a selected track. Basically a "This Works" button so when you are playing a track you always have a list of mixes that you have deemed worthy in the past. There is nothing more satisfying than locking in a mix you have never done before. I would love to have a button that helped me remember those discoveries. Thinking about the UI the obvious place is in the library or list of sources found in most digital DJing apps. There could be a recommendation source for each deck that listed your saved mixes for the track loaded into the deck. 

Secondly, and extending on the concept, lets bring data and recommendation into the scenario. Maybe you don't use the "remember this mix button" or you forget to. Regardless, you are still going to exhibit patterns in what you play. What if you could see the top 10 tracks you mix with any given track. The more you execute a specific mix the higher it will rise on the list. The idea being good mixes obviously float to the top. This is a feature that would become more useful the longer you spent DJing with it enabled. So there you go... track association for remembering hot mixes and a "top ten tracks you mix into this track" list for monitoring your DJing habits. 

Seems like low hanging fruit to me! Pls implement and I will buy.

December 22, 2008

Favorite Albums of 2008

This was easier to compile than I thought. I kept my iTunes library clean this year. And man, what a year for music. In no particular order here are my top ten albums...

  • Black Mountain - In the Future

    Such a solid second offering. It was everything I wanted. More bluesy, psychedelic, thunderous rock.

  • Bright Black Morning Light - Motion to Rejoin

    No one could have convinced me this would climb to the #1 spot on my last.fm chart for the year (by a margin of over 100 plays) upon first listen. This speaks to the albums virtues as the perfect ambient background for doing anything at anytime. From the time I got it I woke up, went to bed, ate, and spaced out to it.

  • The Cool Kids - The Bake Sale

    After seeing these guys put in some serious effort at SXSW 07 and 08 it was nice to see them come out on top at the end of the year. Im hoping the momentum continues. Fun party hiphop.

  • Diplo vs. Santogold - Top Ranking

    Another couple of characters that seem to have gotten some well deserved success for the work they put in and their talent. I love Diplo, not as much recently as a party DJ, but more for mixes like this. He is the DJ of my generation, and it shines on his mixtapes. When I first heard Santagold in feb of 2007 and posted about her on BigStereo I knew she was going to be huge, and so did everybody else. Fast forward almost two years later and she has blown up. This mix is a nice showcase of her influences and background. Her solo album almost made it on my list but was edged out because It hasn't been in rotation as much as some other stuff on here. Anyways this is THE mixtape of 2008.

  • Drive By Truckers - Brighter than creation's dark

    2008 marks the year I embraced southern music. Born in Maine, raised in Mass makes me quite a yankee but the palette has widened and I am cautiously dipping my toe in. Im about as late you can be to band with this one but happy I found them. Who doesn't appreciate good story telling? I saw them play the Fillmore with The Hold Steady and they were fantastic. They look younger than they sound which probably means they feel older than they are. This years album lead me to Southern Rock Opera which is quite an amazing piece of work if you havent heard it.

  • Dungen - 4

    I don't know what he is saying but it really doesnt matter. Just as good as last year's Titto Bar. Like the Bright Black Morning Light album I find myself doing everything with this on. Its a go to. Atmospheric and background capable, but also has listenability worthy for a car ride. REALLY bummed I missed the show in SF.

  • Gang Gang Dance - Saint Dymphna

    Mere Inches from album of the year. More approachable than its predecessors this one seals the deal with its groove oriented and hooky take on weird-as-shit brooklyn experimentalism. Its an amalgamation of so many different influences there is no point in picking at it. I love it.

  • Hercules and Love Affair - Self titled

    2007 was nu-rave, 2008 was nu-disco. Hercules was the press darling. Blind was the anthem. And DFA Records keeps taste making a noble pursuit. Despite the firestorm of hype this is a truly amazing album. Since around 2003 I have been following a nameless thread in dance music best represented by record labels like Gomma, Eskimo, DFA, and Output and artist like WhoMadeWho, Munk and Headman. Hercules took a lot of what I like about that sound and broke through.

  • MGMT - Oracular Spectacular

    Another blockbuster. And deservidly so. There was a point when I felt like this album was going to sink into the played to death make it stop status. That never happened. It simply continues to perpetuate the trend toward falling of the grid to start a mushroom farm in lego-land with Yeasayer, Black Mountain and Devendra.

  • Poni Hoax - Images of Sigrid

    These guys absolutely dominated disco/electro rock in 2008 for me. Take notes all other haircut focused myspace blog bands. The bar is high. This is one on my list a lot of people may not have heard. Highly recommended.

Honorable mentions:

April 28, 2008

Mix 013: A few wobbles short of a rinse out


Bare with me while I get curmudgeonly for a post. Whats with the tail-spin that this "fidget-house" stuff has gone into? Fidget-House, as the kids seem to be calling it, takes cues from pre-millennial UK jungle, 2step and speed garage, basically all the stuff that Switch and his Dubsided co-horts spawned. 90% of it is just awful. The worst of it can be found in the Blogosphere, but have you heard the latest Dubsided releases (Switch's label)? Its like Nu-Jump-Up-Jungle! Anyone remember Joker Recordings and Urban Takeover? Ironically all those Dubsided records are totally sold out (I blame Diplo and Sinden!). Switch and the Dubsided camp produced some pretty amazing tunes in the past few years (Worry about it later rmx / Bump rmx), but the shelf-life and creativity of the recent stuff is a few wobbles short of rinse out. Just one man's opinion. Not trying to be a hater. The cream of the crop fidget can be found on Made to Play. Jessie Rose's label from Germany does a nice job of riding the fine line between disposable dance floor fodder and unique noteworthy tunes that are still a lot of fun. The last two releases by Oliver S are fantastic. There is a CD compilation / mix coming out this month on Made to Play aptly title "Paying Around." It should be a good listen. Potty Mouth Music from Chicago has also grabbed my attention. A lot of their releases channel Tuff Jam and are absolutely solid.

Mixed by Justin Baum

Track name - Artist - Label
Everybody every body Ayres T&A Records
La Conga Riva Starr Dirtybird
Slipfunk (The Bulgarians Remix) Alan M Second Session
Shimmy HiJack Potty Mouth Music
Hotflash! Oliver $ Grandpetrol Recordings
Lean N Bounce Duke Dumont Turbo Recordings
Mr. Kirk Ayres T&A Records
Shake It To The Ground (Claude VonStroke Remix) DJ Blaqstarr Mad Decent
I Want Nothing (Sinden Dub Mix) The Black Ghosts Southern Fried Records
Anutha Day In The Ghetto (The Bulgarian Remix) DJ Fame Potty Mouth Music
Wake Up Jesse Rose & Oliver $ Made to Play
For What - Original Mix Santiago & Bushido Potty Mouth Music
Jack My Bell - Original Mix Riva Starr Southern Fried Records
Freebase Night At Robert-Johnson Einzelkind / Meat Get Physical Music
DVNO (Todd Edwards remix) Justice Ed Banger Records
Got That - Original Mix Santiago & Bushido Potty Mouth Music
Oi New York This Is London (Jesse Rose Dub) David E. Sugar Greco-Roman
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