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April 2009

April 22, 2009

Brain Dump 001

Here is some stuff thats been kicking around in my head that don't have time to write a whole post about but need to get down. I know other people do this, so I thought I would give it a try. The hope is a few of you would prod in the comments or tell me whats what next time I see you.

  • Complex social objects - I want to see more sites based on complex social objects with collector/hobbiest audiences. Bikes, cars, boats etc. Stuff that can be broken down into smaller parts (ontologies) and passed around virtually and physically. I've been eager to work on a project like that for years now. Primarily because there is untapped potential for unique interaction/interface/behaviour contained in those complex social objects. There is only soo much you can do with events, photos and videos.
  • Exclusivity - Bruce Sterling gave a rousing talk at SXSW this year. He really had the gain turned all the way up. Amongst his forecasting/heckling (forkling) he talked a lot about his infamous parties and how he had to stop doing them because of the sheer amount of people showing up. Its hard to throw an infamous party these days without it spreading like wild fire over the web. This makes me think a lot about exclusivity and small groups. We are firing things off into the either for everyone to see these days (tweet tweet). What about a return to the opposite? I have been experimenting with web based music sharing in a small group for over a year now and I got to say its far more fruitful than any other social music site I am on. I would love to see some badass exclusivity apps crop up. This past weekend a record label here in SF called DirtyBird threw one of their infamous Golden Gate Park parties. One of the dudes at the label tweeted "this party is word of mouth only, byob. please don't repost just come over." The irony of that being posted to twitter was gold.
  • Dear site maps - What are you really good at besides communicating information structure for the simplest of sites? When you get complicated clients don't know what they are looking at. Why do you always show up as the first deliverable of the IA phase of a project when you are always wrong or just a guess at that point? Your cousin the content model describes relationships between objects in a system, and helps you do your job, but I am growing weary of him too. Interactive wireframes (prototypes) that take the audience through the experience (non-linearly) have stolen my heart.
  • Episodic video games - How come this hasnt taken off? I can't finish whole games anymore. If I knew I could "finish" something in say, an hour (in the evenning) I would shell out money to whomever lets me download them in my living room. Is really going to be years longer? Ungh.
  • What happened to band/artist sites? - Remember when they were all flash, immersive and had serious graphic design chops thrown at them for 20k a pop? Remember when they were just a Myspace page? Now they are just kind of varying shades of pathetic (with some exceptions of course). I am speaking mainly of popular, successful, heavily backed artists. Although there is definitely a slow trend towards more content-centric, almost media property style artist sites... which is encouraging.
  • Awesome(72) - When websites list categories sometimes they put a little parentheses after the category name with the amount of "things" in that category. For example Printers(34) or probiotics(14). This crops up in all sorts of different contexts. Today when talking to one of my fellow Barbarians I realized why I like this little pattern soo much. It makes the information space Im moving through seem finite. Sometimes on big sites that don't do this, there is a sense of unknown depth. Providing those little (numbers) allows me to shape the depth of the information. Thats (3) characters working VERY hard at helping me make my next navigational/filtration decision.

April 16, 2009

14tracks.com New Bristol Edition

14tracks

Last week two nights dissipated into the bass/dubstep recommended releases section of Boomkat Records. The genre/sound had been on my periphery for the past few years but I finally fell down the rabbit hole when I started acquiring singles last week. I tracked back about 18months and listened to everything. The section is very nicely curated. Found piles of tunes I love. Seems the Boomkat camp has a new vehicle for their curatorial awesomeness in the form of 14tracks.com. The idea is take any musical thread, be it a genre, a time period or a theme and put together a playlist. Simple concept, but the magic is of course in their choice of the musical threads, and the subsequent selections of tunes. They have a handful of really interesting playlists up now, and just posted a new one called "The Bristol New School." The Bristol list represents what I feel is some of the best of dubstep/bass music after my short immersion last week. Im sure my pals Selector Moldy and Clever would have a thing or two to say about that though... ;)

"Bristol already left its mark on UK Bass culture back in the late 80's and early 90's via the Wild Bunch, Massive Attack, Portishead and Tricky, but over the last few years a new wave of producers has once again placed the city right at the innovative heart of the underground. This week's selection focuses on some of these characters..."

Must give shout to Rob Rowe for facilitating this discovery lest he publicly humiliate me on Facebook. Related to this post - I just caught Kode9 here in SF last saturday. Quite an interesting set. This sound definitely has a different kind of impact in a club setting with serious low end representation. I was surprised at how rave-ed out the set was. Not in a genre or production sense... more so the vibes. Definitely different than most of the stuff I hear out.

Bass mix coming soon...

April 13, 2009

Mix014 Joakim DFA Chicken Lips Atrak In Flagranti The Chap

Mix0014

A while back I had a little website with a goofy name (Ravegression.com). I had grand plans of turning it into some sort of DJmix blog regularly updated with material from my myself, my friends and selectors I admired. Obviously that has not been happening. So I decided to shut the thing down. I'm consolidating. It feels good. Less pressure... I will definitely be getting back to making mixes and the iTunes podcast will still work. All the old mixes have been moved over here (http://www.justinbaum.com/djmixes). Still getting my bearings and knocking the dust off... But I have more than enough material to keep me busy for months. Lots of cool records coming out. Psyched to get back to it.

Download Mix / Subscribe in iTunes

Track name - Artist - Label
  1. War (JD Twitch Re-Edit) - Zounds - RVNG Intl - 2008
  2. Oh Missy (Whatever/Whatever remix) - DFA - 2009
  3. Start Something (40 Thieves remix) - Tirk - 2009
  4. Ragazza (Runaway remix) - Jackpot - Permanent Vacation - 2009
  5. Hypercommunication (Joakim's Cartoon Muscles Remix) - Poni Hoax - Tigersushi - 2008
  6. Summer Song - Yacht - DFA - 2008
  7. Paris Is Burning (Chicken Lips Zeefungk Beatdown Remix) - Ladyhawke - Modular - 2008
  8. Kilometer (A-Trak Remix) - Sebastien Tellier - Record Makers - 2009
  9. LookLookLook (In Flagranti Remix) - Golden Bug - Gomma - 2008
  10. Dirty Capsules - Vincent Markowski - DC Recordings - 2008
  11. Ethnic Instrument (Joakim Mix) - The Chap - Ghostly International - 2008

Mixed by Justin Baum

April 06, 2009

Nambu the best Twitter client for OS X

Two product discoveries in one day? Unprecedented. Since the recent flood of new people onto Twitter I have been begging for a more efficient UI for managing and reading filtered lists / groups of people I am following. Tweetdeck is popular but in my opinion falls on it's face in terms of UI and usability. Enter NamBu for OS X. It's rough around the edges and not without its problems, but is the closest thing out there to my "ideal" Twitter client. The screenshot speaks for itself. I've scrunched it down into a small window but you get the idea. The traditional view pictured is what I was after in terms of a familiar UI layout with multiple groups of sources. So far it has been fantastic. Cannot recommend it highly enough... Another recommendation is using groups on your Twitter client(s). It frees you up to follow more people and creates interesting new ways to zero in on usages beyond the typical ones.

One small side note: I have no organized hundreds of friends into similar groups on the new Facebook, Tweetdeck and now Nambu. Couldn't we just use OPML to import and export these groups the same way we do for feed readers? Re-creating them is mind-numbing.

Soundamous the best new music feed ever

Soundamus

This is the coolest thing I have seen in a long time. Amazing little app. Punch in your last.fm profile or other music profile and Soundamous spits out an RSS feed of new releases you might be interested in. The results for my last.fm profile are soo personal and accurate it blew my mind. Thanks to Philip Sherburne for the tip.

April 05, 2009

Tempo is the de-classifier Kode9 Interview by Philip Sherburne

I've been methodically organizing and re-organizing my DJing library in iTunes for some time now. I currently have five folders of smart playlists for different tempo ranges. 110bpm, 115bpm, 120bpm, 125bpm and 130bpm. For example the 120bpm playlists only accepts tracks with tempos from 115-125. This is working great. Although I have not found the same success trying to apply more descriptive and genre based metadata to organize my record bag. Right now I'm playing around with two approaches... A controlled set of descriptive labels (sort of genre based) which I won't bother listing, they definitely wouldn't work for everyone. Thats an important distinguishing point though... descriptive labels for the purpose of personal organization and genre as a way to broadly bucket music. The other approach I am messing with is a simple binary... is it for the dance floor or the armchair? A black and white classification of dance-ability is almost laughable... but again, when personally applied it can be more helpful than genre labels in certain contexts. For example if you know you have to play a lot of big bassline floor tunes you can generally stay in the "danclfoor" smart playlist for your selected tempo. Vice versa if your in a loungey environment. If you have a malleable audience you can hop between both the dance floor and chill smart playlists for the tempo you are playing at.

Itunes

In combination the tempo ranges broken down into dancey and chill are a fairly low maintenance way to work with a eclectic library of music. Checking out Philip Sherburne's interview with Kode9 I really liked what the the DJ/producer had to say about about tempo, selecting, and the fragmented state of the UK electronic music scene. Software like Serato has made tempo one of the more reliable ways to think about your selections if you've not crammed yourself into a specific genre.

"...I think UK electronic music is a bit of a mess right now and very micro-segmented, to be honest. But there are some lines of intersection that are promising. As a DJ, all I really hold onto as a unifying theme is a certain bass foundation and tempo. Right now my sets occupy a couple of tempos. From the point of view of a selector, I think it helps to subtract the specific genre designation and select my own matrix of music — so that a dubstep tune is forced into the same universe as a house tune, a hip-hop beat into the same universe as a techno tune and an '80s funk thing in the same universe as a grime track, for example. It's not that I'm interested in being eclectic. I usually don't hear any consistency in most self-proclaimed "eclectic DJs" — I actually have very narrow, intolerant tastes as a DJ. It's rather that the only way I can build a consistent vibe in all this mess is to just temporarily subtract the genre descriptor. There is nothing new about that I suppose. But I'm not doing it because I think genres are bad as such. They are, in fact, the best places for styles to be nurtured. It's just that I want to play the best music out of several styles."

April 03, 2009

Activity streams and meaning

Largescreen

Playing with Yahoo!'s "advanced" twitter search app - Sideline. Its cool, but man, activity streams are hungry for meaning. Can't find what you want if the app doesn't know the difference between eskimo (records) and eskimo (people). Psyched to see progress in this area over the next few years. Is the solution going to be a "layer cake" of crowd, semantic web and robots? The more I start to mine twitter, in a normal person/non engineer sense, for things I am interested in the more I slam head on into this wall. Of course, this is why hordes of very smart people have been working on the problem of how to define what an object is about on the web for many years... Hurry up! :-P Twine has an interesting take on Semantics+Ontology=Meaning